The cinematographic vision in the work of Neringa Černiauskaitė (1984) and Ugnius Gelguda (1977) transforms seemingly recognisable spaces and historical figures into set designs and characters in unused cinematic / historical / social scenarios. Using the language and tools of cinema (through16 mm films), in their work the artists reflect upon the utopian aspirations of art that are covered in moss , they revive forgotten science-fiction fantasies of conquering space which they filmed in 1960s architecture, and make mythologised historical events become reflections of the workings of the human memory.
