Emilija Škarnulytė is a nomadic visual artist and filmmaker. Between the fictive and documentary, she works primarily with deep time, from the cosmic and geologic to the ecological and political. Her use of video expands into a multidimensional experience, confronting many of the major issues facing humanity which are often left unspoken. Recent group exhibitions include Hyperobjects at Ballroom Marfa, Texas; Moving Stones at the Kadist Art Foundation, Paris; and the first Riga International Biennial of Contemporary Art; as well as a new commission for Bold Tendencies, London and a solo show at Künstlerhaus Bethanien in Berlin. Škarnulytė is the winner of the Future Generation Art Prize 2019. Škarnulytė is representing Lithuania at the XXII Triennale di Milano and has an upcoming shows: Toronto Biennial of Art, Toronto, Canada; 95% of the Universe is Missing, Science Gallery, London, UK. She currently co-directs Polar Film Lab, a collective for 16mm analogue film practice located in Tromsø, Norway.
