Eglė Budvytytė (1981) creates performative and cinematographic situations in which she explores the body’s ability to challenge conventions of conduct formed by public spaces. Authentic movement contrasts with the rational, homogenised layout of the city. Her work manoeuvres between scripted and ordinary behaviour, and searches for unseen gaps and cracks where groups of unusual codified behaviour can be found. In resisting documentary (both the clichés of film language and the realities of the city or social groups born out of urban processes), she creates poetic commentaries through her films and events that defy the usual expectations of the audience, and reminds us that the potential for change lies in the imagination.