Csilla Klenyanszki’s (b. 1986) performative interactions can be seen as personal research for balance. A constant attraction to physical and mental tension characterizes her work. The projects play with the borders of nonsense; something that looks foolish at first, always finds it right place at the end. The nature of the work is highly playful and experimental, but the approach is rather analytic. Her current practice focuses on gender and time, while her artistic method balances between installation- and a simplified version of performance art, in combination with photography and video.